As the St Lucia Jazz Festival enters its 21st year, American singer and songwriter, Lionel Richie will be headlining the event on Sunday 13th May, 2012.

Famous for songs including “Hello” and “All night Long”, Grammy award-winner Richie will be performing several of his hits on the stage on Pigeon Island in front of hundreds of local islanders and tourists enjoying St Lucia holidays.

The St Lucia Festival will take place from 30th April to 13th May, 2012 and will feature performances by Ziggy Marley, the son of reggae star Bob Marley; R&B singer Keri Hilson; The Gypsy Kings; and jazz musician Joshua Redman.

St Lucia hotels are expected to be packed and booked at full capacity as tourists from all over the world flock to the Caribbean island to watch performances from over 50 local, national and international music artists.

The festival is spread all over the island in villages, beaches, parks, on the waterfront at Pointe Seraphine, and on Pigeon Island.

Stefano arthurohm, on Flickr

Holidaymakers will be treated to some fantastic music during St. Lucia holidays and the event will feature a blend of traditional jazz, fusion, rhythm and blues, acoustical jazz, French and Latin music and reggae in a selection of venues, from open-air park locations and picnic events, to late nightclub performances.

Over the last 20 years, the festival has seen shows from Chaka Khan, Luther Vandross, Kenny G, Air Supply, John Legend, Rihanna, Santana, UB40, Kassav, and Pattie LaBelle.

This year, the festival will be opened on the 30th April with music from Busy Signal, Teddyson John, Fay Ann and Bunji Garlin at the Mindoo Phillip Park cricket stadium located in Castries.

jackiesheeran, on Flickr

Whether tourists are enjoying holidays in St Lucia in Soufriere or Rodney Bay, there will plenty of diverse musical entertainment throughout the two-week event.

The island is a popular destination for honeymoons and weddings as well as luxury holidays and St Lucia boasts an array of beautiful natural landscapes including the majestic Pitons, rolling lush green hills, tropical rainforests, white sand beaches and sparkling azure ocean waters.

During holidays to St Lucia, visitors can head to one of the only drive-thru volcanoes in the world, the beautiful cascading Diamond Falls, the famous Anse Chastanet beach, the harbour town and capital city, Castries, and Pigeon Island National Park, which features the old British military base, Fort Rodney.

Event: London Jazz Festival 2011

Venue: Various venues (Primarily Southbank Centre, London)

Date: 11th to 20th November 2011

Tickets: Depending on the show

The jazz music history of London dates back to 70s, when the idea of the first jazz music festival was brought up. Since then, this festival has grown as one top international Jazz sensation. Watch this festival which has succeeded to grown up to this platform. These jazz events do not stop at this point. The popularity of Jazz week put a stepping stone in emergence of Jazz Festival in winters too.

Every year, the stage is lit up with new and old brilliant Jazz singers and instrumentalists. They have the effervescent crowd swaying with their voice and music.

To witness such a gracious moment, travellers from all around the world come to London in great numbers. Hotels in London city welcome these travellers with warmth and great services.

In November, London’s Southbank centre will be jam packed again with thousands of performers and fans of Jazz. Not only this, many venues during this time will be loaded with jazz shows and so the jazz lovers. Several flamboyant performances are lined to entertain the visitors, like every year.

Sweet melodies of Trumpets, Flugelhorns, Violin, Piano and earthy sounds of bass guitar sets the mood to a different state. The festival includes:

Jazz Voice: Celebrating a Century of Song
Zakir Hussain: Masters of Percussion
Stephan Micus
Steve Coleman: Reflex
McCoy Tyner Trio featuring Jose James and Chris Potter Impulse!
Buck Clayton Legacy Band
Roy Eldridge and Charlie Shavers: The Trumpet Battle
Steve Swallow Quintet
LOUIS: Louis Armstrong, Charlie Chaplin and the birth of jazz
Michel Portal
Phil Robson’s IMS Quintet featuring Mark Turner + Christine Tobin
David Sanborn featuring Joey De Francesco
Stefano Bollani with special guest Martial Solal + Marcin Wasilewski Trio
Phronesis
Nik Bartsch Roninbr
Richard Galliano Strada Quintet, A tribute to Nino Rota
Jazz at Cafe Society China Moses, Gwyneth Herbert & Alexander Stewart
Archie Shepp & Joachim Kuhn
Robert Glasper
Roy Haynes: Fountain of Youth Band + Peter King
Abdullah Ibrahim
Cesaria Evora
Jerry Dammers’ Spatial A.K.A Orchestra
Gretchen Parlato
Henry Threadgill: Zooid
Portico Quartet
Fringe Magnetic
Emir Kusturica & The No Smoking Orchestra
Beats & Pieces
Bill Frisell: 858 Quartet
Hermeto Pascoal
Lucian Ban

And many more amazing single and band performances. So, if you think Jazz is not your cup of tea, think again! This festival may be enough to change your mind!

London Hotel Bookings

London has enormous choice with hotels, and you are just a reach away! It is suggestible to start looking for more options and make appropriate booking with a London accommodation near London Jazz Festival. Book with one of the hotels near Waterloo Tube Station which will leave a short distance to the various venues of this festival!  

If you are an adult with the aim of wants to realize jazz piano, you can accomplish your goal in a variety of ways. This design of in performance is a critical way to employment your creativity. It can additionally provide you with hours of entertainment.

One way adults can commence their jazz melody journey is to take a course group from an adult education list. Recreation centers and neighborhood schools could be the sites pro this type of course group. A specialized melody teacher teachers the course group of adults. The teacher helps them realize clear-cut jazz techniques on the piano. The critical business is with the aim of adults realize with other others with the same awareness in melody. This type of course group generally requires with the aim of students already enjoy a few experience in performance keyboards.

If you are an adult with the aim of wants to compete jazz melody on the baby grand you can additionally get in touch with a melody teach with the aim of instructs in a variety of instruments. You can execute so by searching pro schools in the phone directory or online. Some melody schools could advertise in the newspaper too. When you get in touch with the teach, ask them if they offer jazz piano classes pro adults.

Some adults could hope for to realize this design of melody from a confidential melody teacher with the aim of visits their national. This is ideal pro populace who execute not enjoy while to attend a traditional course group with other students. They can realize to compete melody by national as long as they enjoy their own baby grand instrument. Private teaching are additionally ideal pro prospective adult students who mean personal attention from an instructor. They don’t enjoy to compete with other students pro the teacher’s attention.

Another option pro learning the instrument is to take a track online. Adults every now and then conduct an online search to get hold of Internet classes with the aim of provide melody education pro prospective jazz pianists. They can cover teaching as little by little or as quickly as they mean from their own processor. There are adults who would relatively enjoy this type of course group for the reason that they get pleasure from learning independently.

When choosing a method of education, it’s notable to determine which method greatest suits your personality and needs. An adult with the aim of enjoys the excitement of learning with others would execute well to pick out a course group crammed with other eager students. A shy person who doesn’t execute well in crowds could hope for to give pro confidential teaching or online teaching. Students who enjoy a small amount of money to give pro teaching could hope for to consider an adult education track, which offers more modest tuition.

Regardless of the type of teaching you pick out, dedicate the crucial hours to practice the instrument so you can turn into skilled by in performance. When you take while to realize the art of in performance, you will conclusion up entertaining your acquaintances and group as you compete the piano.

Joe Pass is one of the greatest guitarists in the history of jazz! A genuine master of all the idioms of jazz guitar music, he was equally at home with a burning bebop line, a down home blues groove, a sensitive “rubato” ballad, or a gentle chord melody solo. Pass was also highly sought after as a sideman in many diverse ensembles – including a surprisingly successful set with Roy Clark covering Hank Williams tunes. He also served as an accompanist to singers like Ella Fitzgerald and instrumentalists like pianist Oscar Peterson and J.J. Johnson.

Since the early 1960s, the name Joe Pass has been synonymous with jazz guitar and Joe’s effect on his comtemporaries and subsequent generations of players is undeniable. He was a favorite performer of Wes Montgomery during the hight of Wes’s popularity and along with Howard Roberts, Barney Kessel, and Herb Ellis he defined the West Coast jazz guitar school.

Pass was also an important and influential paternal figure to emerging players like Larry Carlton, Lee Ritenour, Jack Wilkins, Emily Remler, and Mark Whitfield.

A great deal of attention is devoted to his Pacific Jazz Record Company years – often acknowledged as his “classic” years – when he was hot, hungry and ready to show the world what he could do! For many years these recordings – seminal masterworks and essential listening for previous generations of guitarists – were unavailable on CD. Consequently they languished in obscurity and their relevance and inclusion in a Joe Pass jazz guitar music compilation was problematic – despite the excellence, profundity and importance of the music. Today these classic Pass albums have been rightfully given a new lease on life through the laudable re-issue efforts of companies like Blue Note, Eupohoria, and most of all Mosaic Records.

Joe wrote several instructional jazz guitar music books with the goal of sharing his expertise with neophytes and seasoned guitarits alike, but often mentioned that learning as many tunes as possible was the most valuable lesson for a player. He hoped that aspiring guitarists, regardless of style, would find that spark of individuality and creativity that he discovered in his youth and cultivated in his earliest playing experiences. Joe’s improvisation approach, advanced harmonic concepts, and solo jazz guitar chord melody style are subjects he was eager to discuss and share – yet his mode of expression was hardly disciplined, pedantic, or scholarly. Nonetheless Joe was a great commmunicator – if you listened. He spoke as in performance through his instrument – spontaneously, casually, with humor and great feeling – punctuating his musical discourse with a favorite comment: “Stop me when you hear something you like”. Needless to say, he got stopped a lot! Fortunately for aspiring guitarists, Joe Pass released numerous instructional jazz guitar tab books and DVD courses that teach his single note improvised solos and chord melody solos as well as the pickstyle and fingerstyle guitar techniques he used to play them.

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Tap dancing is an American style of entertainment dance which sits prominently alongside such classic styles as jazz, hip-hop and lyrical, which are all form of competitive dancing. The popularity of such dance styles, along with dance sports such as ballroom and latin dancing, have given rise to a number of television programs such as ‘Strictly Come Dancing’ on the BBC and ‘So You Think You Can Dance’ in America and have hugely boosted the profile of the sport across the globe. Inspiration for tap dancing may have included imported African dance styles, English clog dance, Irish step dancing and even the Spanish Flamenco dance style.

The style itself is characterised by a tapping sound created from metal plates located on the ball and heel of the dancer’s shoe. Tap dancing therefore can be considered as both a form of dance and playing a musical instrument! Depending on the area where the sport originated, the dancers wore either wooden-sole shoes (buck-and-wing in the fast style) or a smooth leather-soled shoes (soft-shoe style).

Both the fast and soft-shoe style coalesced and by mid 1920s metal plates (taps) were added to leather-soled shoes – making the now recognisable tap shoes we all know and love.

Tap dancing became very popular after the 1930s with a galaxy of stars such as Fred Astaire (who provided a more ballroom look to tap dancing), Ginger Rogers, Shirley Temple, Gene Kelly (who incorporated his ballet training into his tap dancing) and Rita Hayworth all regularly treating movie goers with some spectacular tap dancing scenes. After the 1950s jazz music and tap dance made way for the more popular rock and roll and pop music, although jazz dance later emerged and is seen as a hybrid of jazz and tap.

Keep your eyes peeled come May, for in the US George Bush Snr actually signed into law a National Tap Dance Day on the 25th of that month.

Many beginning guitar students struggle with the choice between starting their guitar journey on an acoustic guitar or an electric guitar. Honestly, it can be a tough choice.

Ideally it would be great if we could all afford to run out and buy one of each. But that option is not always practical – nor is it recommended in the beginning.

There are some things a new guitar player should consider when faced with the choice between an acoustic or electric guitar.

Acoustic Guitars

The vast majority of beginning guitar players start out on an acoustic guitar. This is a highly versatile instrument suitable for a number of music styles and genres.

They are easy to transport and store, and don’t require any amplification to be heard. Acoustic guitars are so popular because they are “self-contained” units, and easy to care for.

Electric Guitars

A new guitarist that chooses an electric guitar should already have their sights set on playing rock, heavy rock, modern blues, metal, modern country or playing lead guitar.

Amplification is required to hear the electric so it is not as conducive to someone that wants to just sit around the house and strum their favorite folk song.

There is also the added expense of having to purchase an amp to hear the guitar, making the whole affair a little less convenient.

The up side of an electric for the newbie, is that the guitar necks are usually thinner, as is the gauge of strings they use.

This makes playing an electric guitar much easier on the hands and finger tips – a blessing in the early days.

The Winner

Although the choice of a guitar to start on is largely a personal one, my 30 years in the business lead me to the conclusion that a new guitar player should probably lean toward the acoustic guitar to begin with.

There are so many new techniques and concepts to be learned in the early days on guitar that keeping up with an amps, plugs and cables can be an unnecessary distraction.

Also, electric guitar amps nowadays come with all manner of effects processors that make a multitude of different sounds.

These are cool to play with, but have a tendency to get in the way of really learning how to play the guitar.

The ease of use, transportation and care of an acoustic guitar – plus the versatility of musical styles that the guitar can be applied to – make it the clear winner for the beginner.

Are you interested in building a sound proofed room, or a secluded getaway for you or a member of your family? You may want to consider using sound proofing and acoustic panels they not only protect the outside from noise, but can increase and enhance the acoustics in the room they are installed in.

Good quality to great

One of the biggest bonuses with fitting acoustic panels, aside from the obvious elegance, is that the sound quality in most rooms that have acoustic panels fit will go from good, to great, to superb really quickly. Youd be very surprised to hear the difference but give yourself a chance to fully explore it before making a final judgement. Its difficult to explain but tones become richer, clearer and less tinny at the first listen and just improve as the room and your equipment is adjusted to create the best sounds.

Acoustic panels work by reflecting or absorbing the sound aimed at them in the case of acoustic panels, it gives a dual fold effect blocking a large portion, or all of the sound from escaping from the outside, while keeping the majority of the sound inside from being absorbed or distilled through walls. This gives the best effect for most people allowing them to build a room with superior quality for listening to or watching movies or other media, while allowing them to enjoy them fully without disturbing others around them. It also means that musicians and other people dealing with the same media that others enjoy as their end product can create in the privacy of their own homes, without needing to use complicated headphone setups or other items which may distil or destroy the delicate sounds underneath.

One of the best things about acoustic panels

Aside from being lightweight, they can be attractive too, complimenting your dcor and can be either an interesting talking point or blending into the walls around them the room in many cases doesnt need to be entirely panelled, but in most cases, to ensure a great seal for your sound, inside and out, you need to make sure that your room is entirely panelled.

As there are several materials to use in acoustic panels from foam to other more specialised materials, depending on the need. Depending on the need, will also depend on the quality and quantity of sound reflected, so you should research and purchase carefully only once youre sure of the need you have, can you choose the best composition and style for your home, and your budget.

Everyone knows that if you want to have the perfect sound in any space you need to have the acoustic insulation to get the best results. The reason acoustic panels are necessary to get the perfect sound in a room is because they absorb sound. Sound waves bounce off of any hard surface, in this case the ceiling and walls. This is why it is necessary for the walls and ceiling to be covered in acoustic panels to absorb all the sound waves, from the highest to the lowest pitch. By installing the foam panels the sound is absorbed by the pyramid or spike like forms which not only do a great job in absorbing the sound, but also offer more surface area in the room. With the proper sound insulation installed the space you want to soundproof will not only be protected from outside noise, but also will keep all sounds crisp and clear and without any echo.

The acoustic panels important that you get either carpet or another soft surface to cover all other hard surfaces within the studio such as big speakers and still computer. If you have a professional studio then you by now know how its important that the area is well protected from outside noise as well as possible echo from the sound energetic off the walls. They are also great because they offer a more retro look to a space. This is important because every little bit of hard surface can create an echo and bounce sound waves off. The acoustic panels are great whether for your professional music and recording studio to youre at home theater.

The acoustic panels are great because they offer a more retro look to a space. If you have a professional studio then you already know how its important that the area is well protected from outside noise as well as possible echo from the sound bouncing off the walls. This is important because every little bit of hard surface can create an echo and bounce sound waves off. Also, its important that you get either carpet or another soft surface to cover all other hard surfaces within the studio such as large speakers and even computer. The acoustic panels are great whether for your professional music and recording studio to youre at home theater.

If you want to a perfect quiet room in the house you can install sound insulation and have the studio effect right at home. If you are looking to spoil yourself and the room can be used for anything. Its also a great installation for a game room. With the proper soundproofing and sound insulation you will be able to enjoy your games till the early morning without disturbing anyone and imagine a large LCD television, some comfy chairs, and your favorite game controller in your hands then at the same time getting the full sound experience. The acoustic foam is also great if you are looking to create a home theater with sound the way the director meant it to be. If you are a hobby musician and want your own studio to enjoy your music you can cover the walls and ceiling with this acoustic foam.

With proper installation, which can turn any room in your house in perfect quiet room away from the madding crowd and enjoy your favorite CD or movie, it’s the same sections used in professional recording studios music and you can have one just like that. Installation of acoustic foam is a great way to get the best sound of his own music, or listen and watch movies, games and music sound the way intended to sound, and not obscured by the noise outside echo, or management.

The Indian music characteristics are evident when you compare it with Western music. In both the systems you will find some essential differences: the Indian music is based on melody or single notes played in a given order, while the Western music is based on harmony: a group of notes known as chords played together.

Dr. Rabindranath Tagore who was well familiar with both the systems, explained the difference as follows: “The world by daylight stands for Western music which is a flowing concourse of vast harmony, composed of concord and discord and many disconnected fragments. And the night world stands for Indian music: one pure, deep and tender raga. Both, touches our heart, and yet both are contradictory in spirit. But this is natural. Nature, at the very root is divided into two, day and night, unity and variety, finite and infinite.

Indian men live in the realm of night; we are inspired by the sense of the One and Infinite.

Indian music draws away the listener beyond the boundaries of daily joys and sorrows and takes us to the solitary space of renunciation which exists at the root of the universe, while Western music leads us to dance through a limitless rise and fall of human joy and grief.

” Indian classical music basically stirs our spiritual sense and discipline – a longing for realization of the self salvation. Singing is a worshipping act and not an intellectual exhibition of mastery on the technique of a raga. In Western culture, singing is a formal and secular exercise, and does not involve piety or devotion as compared to Indian music

The teacher-student (Guru-Shishya) tradition in Indian music is responsible for the deep dedication and attachment of the student to the teacher.

In the West, a music teacher is taken as a hired person who teaches lessons and there is no deep attachment between the teacher and student.

Like Western music, Indian music too is based on melody and rhythm, but it has no foundation of harmony which is so significant in Western music. Indian music is “modal” – based on the relationship between the permanent individual notes known as tonic, with the successive notes. This is the reason why Tanpura (drone) is played in the background of Indian music which reminds one of the tonic notes.

The Indian classical music system is horizontal; one note follows the other, while the Western music is vertical; many notes played at a time. Yehudi Menuhin, the noted musician, highlights the differentiates both systems by describing Indian music as: “for appreciating Indian music one has to adopt totally a different set of values… one must orientate oneself and at least for the concerned period, forget the passing of time and just sink into a kind of thematic, almost hypnotic trance. The rhythmic and melodic features of Indian music that are repetitive, acquires an extraordinary charm and fascination… despite the domination of this hypnotic mood’s domination, which is an Indian music characteristic, actively frees the mind.”

The place of “composition” in these two systems is notably different. In Western music, the music is first composed by the composer and arranges it in notation: then the musicians play this composition under the guidance of a music conductor. Here improvisation hardly takes place, and the performance value lies in the uniformity and the pre-determined conduct of tone and music speed (tempo). In Indian music, while the melody grammar and rhythm is fixed, the ingenuity and skill of the musician lies in his creativity and improvisation, especially in mood evocation and rasa of a particular raga.

In this context, an international musicologist has written: “In the West, solid blocks of music are constructed. After carving out like building stones, the seven degrees of diatonic scale, lined up and placed on top of each other with cleverly worked out harmony and counterpoint. In this way fantastic edifices in sound are erected.

In Indian classical music, no one can think of dividing sound into blocks; instead it is refined into a wire-thin thread. The sound is stretched out to refine it to an extreme point of delicacy… No standard materials, no building of three or five floors, but just like silk thread which unfold and rises and falls and evokes a world of sensations and feelings.”

In music of India, melody and rhythm offer a variety of subtleties, which is not possible in Western music. Indian notes are divided into units called shruties (22 microtones), whereas Western music consist of 12 semitones. The microtones are more subtle than semitones. These microtones adorned with gracetones (gamakas) create a magical effect.

Western music has the capacity of producing many feelings and moods. While Indian music, has the capacity to produce a principal emotion or a mood in a raga. An Indian musician improvises with his own creative genius within a raga’s framework, but in Western classical music, except in jazz, such an improvisation is inconceivable. Moreover, the percussion in Indian music emphasizes its rhythm. It is only through keeping one’s mind and ears open that one is able to appreciate the melodies and sequences different from one’s own. This applies to Indian audiences attending Western music performances, and to Western audiences attending music of India concerts. Just remember that the both music systems are complementary, like two halves of classical music.