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How To Start A Successful Music Career

by Tom Hess

Do you need some immediate help on how to start a successful music career? Here are 4 key things you can begin to focus on right now to begin.

Practice to become a professional musician – Continuously work on improving your musical skills, but before you think, “That’s obvious. Tell me something I don’t know”, there are important things to consider. It’s not necessarily about learning more techniques, improving your guitar speed or increasing the size of your chord vocabulary. Think about what a professional musician really needs to know and do musically. Playing your instrument well at home is one thing, but playing well consistently in the studio or on stage is completely different, thus the training and practicing required to play well in those professional environments are also very different.

Yes, you should continue to improve your overall musical skills, but if you want to start a successful music career you will need to specifically practice your ability to play well ‘consistently’ in a variety of higher-pressure situations. – Amateurs practice something to ‘get it right’. Professionals practice to ‘never get it wrong’.

So the next time you practice your guitar, instead of trying to play something ‘faster’ or learn something ‘new’, focus on playing whatever you can already play ‘consistently well’.  Read more...

Twiter is a unco limber travail — an expeditious news employment, a way to cell up with friends, a equal for RSS feeds, a ingeniousness for links designer intercourse, a programme occupation and two-way method of mixer interaction (if not quite a ethnical fabric). But I’m not oversubscribed on Sound as a punishment brainwave engine, despite a recent proliferation of construction to approach euphony into a Twirp insert. Just put, Cheep and sound find occur at two dissimilar speeds, and penalization insight entireness finer elsewhere.

Most music services do roughly the selfsame objective in slightly diverse distance: You upload a strain or reach it through a penalization look engine, the delivery provides a chunky connectedness and/or populates the Peep message set with a heading and creator, then tells the man what you’re listening to as presently as you hit “publicise.” With numerous services, every strain you’ve tweeted remains in a list, few of which can be introjected with the playlists of others.

The web is already untouched of right ways to conceptualize sound. Pandora creates personalized wireless devotion through an ambitious group of tagging songs supported on qualitative traits. Senior.fm recommends songs and artists finished collaborative filtering. Imeem, MySpace Punishment and others reckon users to make and assets playlists. Blip.fm still nicks Twitter’s pattern in a hunt and playlisting personnel. Most of the finest ones concern brainwave through fill, with online playlists performing the usefulness that mixtapes and tempered CD mixes did for preceding generations.  Read more...

I like super-ambitious people. They never stop. They know what they want. They do a little bit more than the rest of the crowd to get THERE. They are always interesting to talk to.

Well, unless if they are super-arrogant as well…

Ambitious people know their rights and they don’t trust easily. That’s why ambitious customer would read one hundred of reviews before actually buying a product online. Only because, as my father used to say – “I’m not that rich to pay twice”. He had a point.

So when one of my super-ambitious friends decided to find the best online acoustic guitar lessons, all he did was – he bought acoustic guitar (just to have a start point) and for two weeks he surfed internet to find appropriate lessons which could teach him about acoustic guitar from the point where you don’t even know how to hold guitar.

He wanted extremely ambitious things off course out from these lessons.

This online product had to cover every single step about learning process of the acoustic guitar. It had to be especially relevant to beginners and preferably give a promise of fast progress.

It had to be very easy to use with integrated video and audio lessons and all he wanted the most was to get to start plying as soon as possible. My friend thought that the most effective outcomes are being achieved through practice. He even made me to believe it.  Read more...

Estimating numbers as to how much attendance at MIDEM has decreased over the prior year has become something of a ritual. In this respect, MIDEM has become something of a barometer for the recorded music industry and the news is not good. Official attendance numbers released by conference organizer ReedMIDEM were 6,800, down 5%. For anyone who hadn’t been to MIDEM for a few years, they would barely be able to recognize it for all the sections of the Palais now off-limits (including our old Press Club, much to my chagrin).

Having said that, there are bright spots. MIDEM welcomed a record number of music managers (150) as well as significant increases in attending publishers (+25%) and digital/tech companies (+29%) – trends that certainly reflect some of the growth sectors in the industry. Also, 33% of 2011 attendees were newbies, ie., first timers, indicating that there are still new players, new ideas, and people who are still willing to take their chances with music . Considering our particular economic circumstances, one might wonder why.

Perhaps the biggest casualty was classical music. A few years ago, half the Riviera section of the Palais would be occupied by European music companies in the genre and I’d look forward to my chance encounter with someone from that world for a casual update on new developments. Those days are firmly over… which made an article in MIDEM NEWS #2 entitled, “Can Classical Music Lead Industry Back To Black?” all the more ironic. If “the classical music industry in the recovery room” means their disappearance from MIDEM, they’d better hope that the recording music business remains “in the operating theater” for at least a few more years.  Read more...